Sunday, 30 June 2024

The Printmaking Show, June 26- July 14

The Printmaking Show, reception June 29

Thank you to all who were able to make the reception on this very busy long weekend! 

It's another gorgeous show by these very talented artists : 

Dana Green, Lisa Herrera, Ioana Bertrand, Jacquie Sullivan, Jyne Greenley, Liliana Delrissari, Bill Ward, Peg Graham, Dahlia Sawwan, Lynda B. Hattin & Marsha Wineman.

The Printmaking show is up until July 14.









Dana Green




Ioana Bertrand




Jyne Greenley




Liliana Delrissari




Bill Ward




Marsha Wineman




 Dahlia Sawwan








Spring Music Series, June 20



Another spectacular night of music, the last of the spring series.

Jason Kenmey  - keyboards
Ian de Souza -e.bass
Dave Clark -drums
Marvel Akewe - mc/vocals











 

Silt: Freshwater Edition, June 15


Silt is an evening of performance. Through a public open call, five 

artists are each provided with 15 minutes to present an action, event,

ora performance. Silt was originally started for movement artists; 

however, it is open to everyone regardless of artistic or personal 

identifications. The aim of Silt is to provide participants with an 

accessible low stakes stage for experimentation and expression.

Presented by Tuya Vale, artist collective.


Freshwater edition will feature-

Heather Rule

[  field  ]

Isaak Fong

lo bil

James Knott


It was a superb evening of remarkable performances. Truly a special night- see pics below



                      















                                                                 Heather Rule










                                                                        

                                                               


























                                                                        [  field  ]


                                                                         Isaak Fong



                                                                              lo bil






                                                                       James Knott





 

Sunday, 9 June 2024

Who's There- Thin Spaces and Hidden Traces, new solo exhibit by Matt Wood, June 5- 23

 Who's There Thin Spaces and Hidden Traces 

New solo exhibit by Matt Wood

until June 23

Please see below artist statement and pics from reception below..

 

"This world, though seeming solid, will sometimes slide and glitch, slip and crack, for a moment thin just enough to reveal a glimpse of the things behind the things in front.  Something that seemed at first familiar will shift and remind us of something forgotten, or distant, or missing, of something either impossibly large or infinitesimally small. I do my best to hang around as long as I can in those places where the boundaries between the physical, virtual, and spiritual realms blur, to capture, or at least imitate, those moments when the veil might lift.

 

Brokenness seems to be an essential cost of admission, as if no perfect thing could ever picture perfection. Between perfection and chaos, imperfections emerge as unexpected allies.  Each errant pixel, brushstroke, glitch or printing error can become a doorway, a skyline, a cluster of electrons or stars, a familiar face, even, if we’re lucky, a glimpse into the very heart of things.

 

This show focuses on the digital side of my art practice. My experiments in digital painting go back nearly 25 years.  In a previous life as an office worker in one of Toronto’s downtown bank towers, needing to look busy at my desk, I turned to a rudimentary drawing program - pencil, spray can, fill-bucket, all blocky, bleep-bloop pixels. It was unsophisticated and imprecise. I would try to do something, it would do it’s best, but, more often than not, it would send back something totally unexpected, sometimes something surprisingly good. Which would give me something to riff off in turn.  Before long I began to think of it as a kind of call and response collaboration with the machine. Later, when I returned to physical painting, the process I eventually developed came from a desire to replicate in the real world, that intention–accident–response dynamic that I had had with an imperfect machine.

 

In this collection, I invite viewers to step into these thin spaces with me. My hope is that these abstracted, incomplete forms are invitation to the viewer to enter into the process and finish what I’ve begun – filling in the missing details, infusing the work with their own interpretations, memories, and emotions.  The incomplete becomes a canvas for collective imagination – a thin space where intention, accident, and response merge, a place where grace meets brokenness, a hidden space where the divine whispers through the cracks."

 

I'd love to see you there.

 

 

 

Warm regards,

 

Matt



Matt Wood left with friends


 & family